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« Lorraine López to read from “Soy la Avon Lady and Other Stories” at APSU | Home | Vincent Visits Drive-In Saturday Night » Harry Potter and the Order of the Phoenix: This phoenix soars
By David W. Shelton | July 12, 2007 |
Since Chris Columbus left with his shucks-darn style of directing, the Potter series has taken a darker turn, mirroring their literary counterparts. In Azkaban, the third film, Alfonso Cuarón introduced the lightning-fast storytelling that would be seen in following films, a technique that director David Yates has used masterfully. The leading actors have all grown up, and thankfully, the films have matured as well. Phoenix begins with Harry being taunted by his muggle (non-magical folk) cousin, but the schoolyard bully is chased away by beings that are far more horrifying, dementors. Harry drives them away using magic, and as a result, he ends up on trial and risks expulsion from the Hogwarts School of Witchcraft and Wizardry.
Even warnings from Hogwarts’ headmaster, Professor Albus Dumbledore (Michael Gambon), have fallen flat and were even ridiculed in The Daily Prophet, the wizard world’s magical newspaper. It seems that the head of the Ministry of Magic, Cornelius Fudge (Robert Hardy), is convinced that Dumbledore is after Fudge’s job so therefore, anything he says is suspect. The new Defense Against the Dark Arts teacher is the chillingly delicious Dolores Umbridge (Imelda Staunton), who is a clear supporter of Fudge at any cost. Instead of actually teaching Hogwarts students how to defend themselves against the dark arts (after all, there is no real threat), she limits the students to textbook theories. Harry must somehow convince his classmates that the threat is real, and eventually is compelled to teach them how to defend themselves. Harry doesn’t want any of this, he just wants a normal family.
The political overtones of The Order of the Phoenix are so overt that they’d be hard to miss. Themes of subversion, extreme loyalty, punishment, and outright rebellion are broad slaps to governments on both sides of the pond. Yet Phoenix is able to rise above criticizing modern politics and becomes a timeless warning against maintaining the status quo. The film’s lesson is that abuse of power is costly, no matter its goal or motives. The prevailing darkness that is evident in The Order of the Phoenix seeps through to the core of the film, making it probably too scary for small children. This is a film for everyone else though, whether or not we’ve read the book on which this film is based. Clearly much had to be excised from J.K. Rowling’s excessively verbose novel, but even avid Potter readers will appreciate how much remains. The world that Rowling created is no longer a matter of “oh, look! It’s a goblin! Look there! It’s a bunch of bricks that form a door! Wow! It’s a talking hat!” Instead, it’s a living, breathing world that Harry must defend using any means necessary. Harry Potter and the Order of the Phoenix is a complex yarn that is as subtle as it is sharp, and it’s biting as it is soothing. Harry gets his first kiss, but it’s moviegoers that get the real benefit: an escapist film that actually has the audacity to teach while it entertains. About David W. Shelton
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July 13th, 2007 at 5:42 pm
Awesome, David. What great writing! And you got me thinking about this movie being able to teach me something.
Being willing to look at and say the truth to the world despite “popular belief” earning you media abashment and isolation. “Popular belief” pushing people to accept and promote the abolishment of all individual rights to freedom of speech and protestation. People being so vested in “popular belief” as to be willing to torture others into accepting their reality.
Thank God THAT’S not happening in the real world.