Topic: Film
By Christine Anne Piesyk | August 22, 2008 |
The audience was small but enthusiastic at Opry Mills 20 in Nashville last night for the national premiere of I.O.U.S.A. and a live panel broadcast that put the opinions and experience of five fiscal leader in the line of fire from the public.
For one night only, both Opry Mills and Nashville’s Green Hills cinemas screened what can only be described as a new kind of horror film, I.O.U.S.A., a Sundance award-winning documentary on the state of the nation’s finances. The picture isn’t pretty.
The film itself is a medley of old political footage, newly taped events, lots of graphics and a occasionally irritating hand held cam in need of a steadier ride. Its opening is an eclectic selection of former Presidents, and current President George W. Bush, making statements about how we must get the economy (read: out of control spending) under control. From Presidents Roosevelt, Eisenhower, Kennedy, Johnson, Nixon, Ford, Carter, the first G. Bush, Clinton and the current White occupant, we hear the same noise. «Read the rest of this article»
Sections: Arts and Leisure, Business, Education, Issues, News, Opinion | 1 Comment »
By Christine Anne Piesyk | August 21, 2008 |
For one night only, Nashville’s Opry Mills and Green Hills cinemas will screen I.O.U.S.A., a Sundance award-winning documentary on the state of the nation’s finances The screening, which starts at 7 p.m. CST, is integrated into a broadcast panel discussion.
The live discussion with America’s most notable financial leaders and policy experts, including Warren Buffett, CEO of Berkshire Hathaway; William Niskanen, chairman of the Cato Institute; Bill Novelli, CEO of AARP; Pete Peterson, senior chairman of The Blackstone Group and chairman of the Peter G. Peterson Foundation; and Dave Walker, president & CEO of the Peter G. Peterson Foundation and former U.S. Comptroller General, promises riveting dialogue and keen insight into the crisis we currently face. The panel will be moderated by Becky Quick, co-anchor of CNBC’s morning news show Squawk Box.
From the producers of Wordplay and the studio that brought you Supersize Me, the must-see documentary I.O.U.S.A. uncovers the source of critical economic concerns that touch the lives of every American. A tapestry of archival footage, hard data and candid interviews woven together, it paints an authentic profile of today’s economic condition. Solutions for how we can impact this nationwide crisis and evolve into a more fiscally sound nation for future generations are offered by the documentary’s powerful conclusion. «Read the rest of this article»
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By Debbie Boen | July 30, 2008 |

The Power of Nightmares (Part 1) is being shown this Friday, August 1, at 7 p.m. at the Unitarian Universalist Fellowship, 3053 Highway 41A South. The screening is a continuation of the UU First Friday Film program.
Adam Curtis showed us in Century of Self a key way of controlling the masses is by making people good consumers. Make people want things they do not need by appealing to their secret desires. Come to present time in The Power of Nightmares, where terror and torture and the fear of such has become the new tools of control by governments.
About the movie: For a time politicians promised to create a better world. When this dream lost its promise, politicians were simply seen as managers. Their power to control has returned as their job became rescuing us from dreadful dangers. Much of the terrorism threat is a fantasy that is an exaggerated and distorted dark illusion spread by governments, security services, and the international media. «Read the rest of this article»
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By Christine Anne Piesyk | July 25, 2008 |
In the cyber shorthand of my grandchildren, OMG!!!
That was my first reaction to Mama Mia, the new pop music turned Broadway hit turned silver screen mega … something??? The OMG does not necessarily denote pleasure.
Mama Mia is a musical rooted in the Abba top-forty playlists of a few decades ago. And yes, the music was toe tapping and hummable, huge hits for the group. In Mama Mia, the music dominates the show; it’s the lynchpin upon which to hang a lightweight story that reaches for words like “rollicking” and “sentimental” and “exuberant” but never makes the real connection. Or rather, it makes it from time to time but doesn’t let you pause to enjoy it. The music goes beyond domination, rolling into subjugation, rather like a steam roller flattening everything in its path. Come on. We need breathing room to separate and tame this relentless tide of song. «Read the rest of this article»
Sections: Arts and Leisure, Opinion | No Comments
By Christine Anne Piesyk | July 11, 2008 |
Part 4 of A Century of Self will be screened for First Friday Film at the Unitarian Universalist Fellowship at 3053 Highway 41-AS at 7 p.m. tonight. Admission is free.
The film is approximately 1 hour long and a discussion follows the film.
A Century of Self is fascinating look at how America’s masses were/are controlled through the use of Freud’s psychology. We’ve looked at how advertisers used this psychology to sell us things we do not need. Now we will look at how the government used/uses it to control us for its desires.
To find the UU Fellowship, drive south on Madison, 1.9 miles past the Wal Mart. Bring snacks to share if you wish.
Sections: Arts and Leisure, Events | No Comments
By David W. Shelton | June 21, 2008 |
The Incredible Hulk (hereafter Hulk 2) is the second of the big Marvel Comics adaptations for this year, following closely on the heels of the wildly successful (and far better) Iron Man. The filmmakers would love for us to forget a few things, though—namely the 2003 Ang Lee film, Hulk. For me, that’s not too difficult a task.
Marvel Studios is clearly in the process of establishing something never before attempted in major blockbusters, the creation of a Marvel Universe similar to their comics—er—graphic novels that have been in print for generations. But enough for fanboy mindtwists for now.
Hulk 2’s opening credits present a re-telling of the origins of the big green guy, but it bears little resemblance to the last film. Indeed, it looks a lot more like the opening credits of the megahit 1970’s TV series. I suppose this is the first indication that director Louis Leterrier was actually going to tell a story that would be fun, a trait that was seriously lacking in Lee’s film. «Read the rest of this article»
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By Bill Larson | March 11, 2008 |
“The power of nightmares: The rise of the politics of fear” is an award winning documentary created by Adam Curtis for the BBC and was first broadcast in late 2004. The film explores the origins in the 1950’s of Islamic Fundamentalism in the Middle East, and Neoconservatism in America, it highlights the striking parallels that exist between both movements, and the effects they have on our world today.
“Both the Islamists and Neoconservatives] were idealists who were born out of the failure of the liberal dream to build a better world. And both had a very similar explanation for what caused that failure. These two groups have changed the world, but not in the way that either intended. Together, they created today’s nightmare vision of a secret, organized evil that threatens the world. A fantasy that politicians then found restored their power and authority in a disillusioned age. And those with the darkest fears became the most powerful. “
What’s especially interesting about this film is the theory they propose that the hype about the islamic threat in the from of al-Qaeda, is in fact a myth perpetrated by politicians, particularly American neo-conservatives in an attempt to unite and inspire their people following the failure of earlier, more utopian ideologies.
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By Blayne Clements | February 27, 2008 |
My wife has a book that I have intended to read for years, but never found the time, “What the Bible REALLY says about Homosexuality.” Then I saw this movie available on Netflix, “For the Bible Tells me So” , and thought at this point in my life, I’m much more likely to get a quick movie in than to read a book.
The movie introduces you to several families that have two things in common 1) strong religious ties, and 2) a family member that is a homosexual. Director Daniel Karslake’s selection of families with different backgrounds is sure to connect with a variety of viewers. Theres a Midwest lawyer and stay at home mother that are Lutheran; a African American couple from North Carolina who are ministers in a AME church; there a Episcopalian elderly white couple from blue collar rural Kentucky (no spoiler here but their child was the first openly Gay bishop in the Anglican church, Gene Robinson); a single middle class mother, and a long time politician Dick Gephardt and his family.
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Sections: Arts and Leisure, Spirituality | 3 Comments
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