Clarksville, TN Online » Jill Eichhorn

A review of the 2009 Haunting History Tours at Dunbar Cave

Debbie Boen — Sat, 24 Oct 2009 13:00:17 +0000

Once again Haunting History was a great success. Haunting History just finished its tenth year of performing skits inside the cave and bringing the public in to see them. The dreariness of Friday’s weather did not stop 205 people from coming to go into the cave. Saturday brought 341 people. We had the event earlier in the month than usual because studies by APSU show that the Dunbar Cave bats begin their hibernation right on/around October 31. Two weeks earlier is a safer time to be making noise in the cave.

The Roxy Regional School of the Arts gave us 11 actors to do our three skits in the cave with Brendan Cataldo as their director. The Roxy Theatre also gave us a delightful gatekeeper.

The 2009 Haunting History Tour Actors

Swan Lake Golf Course allowed us to use their parking lot for overflow parking.

Volunteers stand ready to serve refreshing drinks

Over 40 volunteers poured and stirred complimentary cups of hot chocolate, put up and took down the tiki torches that lined the lake, sold glow necklaces and tickets, took us into the cave to see the skits and manned the parking lot. The volunteers were a happy bunch, their enthusiasm catchy.

Haunting History is a fundraiser by the non-profit group, Friends of Dunbar Cave. Monies raised are used to help preserve and protect the park and educate the public.

The Friends Group was able to talk APSU’s Clean Cut Productions into producing an Introductory Film that explains the history of Dunbar Cave.
The Friends group filmed interviews of local residents who have stories to tell about the Good Ole Days at Dunbar Cave.
The Friends group designed, bought and installed a monitor in the lobby that shows films to the public especially the one made by Clean Cut Productions.
The Friends group runs Trees to Trails, Cooling at the Cave and Spring Fling each year. These events are free to the public.
The Friends group bought interpretive signage for the park and will continue to do so.
The Friends group pushes for an Interpretive Center at Dunbar Cave. They’ve used the money they have raised as an incentive for the State to also support that effort.

The 40+ Haunting History volunteers were an impressive bunch. They came willing to do whatever was needed and also to have a good time. They did both. This event has side benefits, like making everyone fall in love with the cave and the Friends of Dunbar Cave group. Several people became members during the event.

The Skits

The first skit

I received a lot of positive feedback about the skits from the public and the volunteers. I was thrilled to overhear a man quote the first skit about bats to his wife and talk about how many mosquitoes bats eat. They both agreed that they should build a bat house to try and attract bats to their property.

The first skit was meant to dispel fears about bats and replace them with true information. At the end of the skit the actors showed the audience that a live bat was hanging on the ceiling. It was with excitement and awe that people looked at it, not with horror and fear.

An Eastern Pipistrel Bat

The second skit

The second skit, Haunting Memories, was created from what certain people had to say about the good ole days at Dunbar Cave. Woman 1 represents Marguerite Rubel and Mary McDaniel. Woman 2 is Rachel Tate and Jacquie Miles. Man 1 is Jimmy Dunn and Ronnie Hunter. Man 2 is Zoot Parker who was known as the best dancer in Clarksville. While talking to the actors I was able to fill them in on who they were representing.

The third skit

Skit three, Haunting Questions, is about the Native Americans who made the art on the walls in Dunbar Cave. Information about the topic was gathered on visits to Indian Mound sites, like Pinson Mounds in West Tennessee and from books purchased there.

Many people come out of the event smiling and saying, “Wow, I learned a lot!” They seemed pleasantly surprised by that, maybe because they were older by far than the children doing the skits.

The Roxy actors were great. I watched them rehearse and was totally impressed. Then, of course, they just kept getting better. A week before the event we took them and the director into the cave to see how the “stages” looked. After that we were treated to a bit of a tour by Michael Fulbright who works at the Park. The kids were thrilled and learned a lot about the cave.

One of the many tour groups heading to the cave

Volunteers who helped on this event

Actors:

Scene 1 – Haunting Facts:Becca Winters, Patrick Long, Hallie Sampson, Tim O. Smith
Scene 2 – Haunting Memories: Kayla Coleman, Jacob Ritchart, Emily Ritchart, Autumn Crafton, Jaymin Burr
Scene 3 – Haunting Questions: Frances Dennis, Christian Boyd

Contributers and Volunteers:

Volunteers Kim Chandler and Blayne Clements on Friday night

Barbara Wilbur, Jim Hancock, Richard Gildrie, Meredith Gildrie, Jack Bastin, Suva Bastin, John Sneed, David Boen, Randall Boen, Bill Larson, Kitty Madden, Beverly Fisher, Paul Schwab, Merri Hinton, Bob Lyon, Carol Sequra, Kyle Sequra, Christine Pieysk, Kelly LaPlante, Bobby LaPlante, David Shelton, Curtis Davis, Turner McCullough, Mike Vogt, Kathy Vogt, Kim Chandler, Blayne Clements, Stephen Walker, J.B., Brooklyn Lyle, Dan Racklin, Marilyn Racklin, Beth Racklin, Jill Eichhorn, Barry Kitterman, Hannah Kitterman, Lee Gray, Gabriel Redel, Bryan Valentin, Kathryn Myracle, Matthew Fowler, Beth Robinson, Faith Robinson, Katherine Kolodzie, Gloria Miliken, Elaine Foust, Carl J. Powell, Mr. and Mrs. William Keen

We wish to give a special thanks to the Dunbar Cave Park Staff! Amy Wallace, Adam Neblett, Robert Wells, Teresa Campbell, Michael Fulbright and Blaine Hargis

Park Interpreter Amy Wallace with some of the many pumpkins carved by Suva Bastin and herself

Photo Gallery

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Clothesline Project bears witness to sexual, domestic violence

News Staff — Mon, 13 Oct 2008 13:00:24 +0000

Austin Peay State University will advocate those who have been affected by acts of sexual violence with the Clothesline Project. The event is open to the public and takes place at 8 a.m., Thursday, Oct. 16 at the Morgan University Center Plaza.

The Clothesline Project is an international event that bears witness to the effects of sexual violence in the community. The project gives its participants the opportunity to print T-shirts in honor of men and women who are survivors of sexual and domestic violence. These shirts will be displayed on a clothesline to raise awareness of the impact violence has on the community.

The Clothesline Project (CLP) originated on Cape Cod, Massachusetts, in 1990, and was designed to address the issue of violence against women. Women affected by violence express their emotions by decorating a shirt. They then hang the shirt on a clothesline to be viewed by others as testimony to the problem of violence against women. Locally the Clothesline Project has also been displayed at the Clarksville-Montgomery County Library.

APSU has been hanging the Clothesline Project since 1997. Since its inception, the project has amassed more than 400 T-shirts. For more information, contact Dr. Jill Eichhorn, coordinator of APSU’s Women’s Studies Program, (931) 221-6314. The national project website is http://www.clotheslineproject.org/

APSU to host Ensler’s Vagina Monologues

Debbie Boen — Fri, 22 Feb 2008 00:06:31 +0000

The Vagina Monologues will be presented at APSU Clement Auditorium on Feb. 26-27 at 7 p.m. Admission is $5.00.

One in three women are raped, mutilated and/or assaulted, says Eve Ensler, creator of The Vagina Monologues. If that’s the case, why don’t we hear about it all the time, everyday, every hour? Because women have a tendency to think that it’s their fault.

Dr. Jill Eichhorn, Coordinator of APSU’s Women’s Studies Program, teaches The Vagina Monologues class, a class whose students participate in The Vagina Monologues production. This is the 7th year The Vagina Monologues has been presented at Austin Peay State University. Eichhorn hopes to help women claim control over their lives, their bodies and their voices. She wants women to release the shame that comes from sexual abuse, including the abuse that women and girls experience daily when they see women objectified on the media.

Dr. Eichhorn (left) with Eve Ensler at Vanderbilt University

Women think that the horrible feeling they have after being assaulted somehow belongs to them. Being invaded or touched inappropriately invalidates them incredibly. It makes them feel as if their own body is disgusting, that their body has betrayed them; they hate it for that. They think that they have become the nasty, fear-based, controlling, invasive feeling that they are left with. It makes them feel so low down that they cannot speak up.

After a violent episode, the abuser can become lovable and sweet. Eventually tension builds, escalates and explodes again. Immediately he asks forgiveness or blames her for the explosion. She may think she’s crazy to want to leave him, he’s such a good person. She might stay because of financial reasons and to protect the children.

Women seldom talk about their own sexuality; they don’t talk about what pleases them, and they also do not talk about sexual abuse. When rape, mutilation or assault happens, the victim feels stuck in an isolated world of terror.

On the subject of rape, 60% of men surveyed think that “she brought it on to herself.” Surprisingly 40% of women surveyed think that she brought it on herself. Men who have justified date raping often use these excuses: because of the way she dressed, because she asked a guy out on a date, because he spent a lot of money on her, etc.

MTV continually flashes us images of females as the ideal male fantasies. In those fantasies, women always want sex, they don’t mean it when they say no, their minds and feelings aren’t important – in fact, they don’t exist, they are lost without men, and they lust for man’s approval. This imagery is not balanced by imagery that shows more truthful aspects of women. An excellent movie about it is Dreamworlds III

Monologue’s author Eve Ensler says that as far as sexuality goes, men and women are both lost. Boys are brought up not to cry, taught not to have feelings or else they are sissy boys. They are practically tortured by their piers as adolescents for anything that is different about them and any feelings of inadequacy that they show. Ensler, who spoke to a full house at Vanderbilt University in Nashville on February 18, said that Martin Luther King Jr. is her mentor. He taught her to focus on the task. Many people told her not to use the word vagina in the title to the monologues. She said, “What should I call it, furniture?” She said that people still tell her that word is too strong to use. They still tell her to shut up.

She’s visited many countries and cities and been witness to many stories of abuse and rape. The worst, by far, is the Congo, she said. In the Congo there are whole towns of raped women. Their bodies have been mutilated by the rapists and I won’t share the details here.

Ensler says she will not stop saying the word. She has a purpose, a revolution. There has been a global strategy to undermine women, a strategy she calls femicide. Dealing with each crisis as it happens is not going to solve the problem. Ensler says we need to redress the bigger issue. Every single culture gives permission to violence.

Ensler wants all of us to stop pretending to be found, and be lost, together. Women cannot stop men from committing violence on women. Men can stop men. There needs to be a global strategy to figure out why love is harder to do than killing.

“The Clothesline Project”

An Art exhibit called The Clothes Line Project will be displayed around the auditorium.

This is the 7th year The Vagina Monologues are to be shown in the Clement Auditorium on campus. This year Ensler is celebrating the 10th anniversary of the release of the monologues. To date, the V-Day movement has raised over $50 million and educated millions about the issue of violence against women and the efforts to end it. As elsewhere, Clarksville benefits go to the Safe House, Legal Aid of Tennessee and Sexual Abuse Center.

The monologues tell vagina stories. They are funny and sad and sassy; they are stories collected and collaborated from real women. The play opens with the lines, “I bet you are worried. We were worried. We were worried about vaginas.” There’s no place in this play hiding in shame about the existence of the vagina. The monologues give women the notion that their sex organs don’t have to be and shouldn’t be a big secret.

From the movie, VDay, Until the Violence Stops: Being in shame about women’s sexuality and not talking about it has not gotten women anywhere; in fact:

One in three women is raped, mutilated, and/or beaten.
RAPE is often viewed as “her fault” even though…
No woman is asking to be raped.
The female body is a MYSTERY to women. Women don’t know pleasure and how to talk about it. When raped, they can’t talk about that either.
Women’s FEAR and GUILT take away from their power and spirit.
When women release their stories they become the world’s stories.
If women say they will not tolerate violence, it forces the violators to have to work on their own issues.
RESPECT goes to those who: EXPECT it, COMMAND it and REFUSE to live without it.

One of the many handouts given to the Vagina Monologue class by guest speakers from Legal Aid of Tennessee shows the Power Control Wheel, which illustrates the pattern of abusive and violent behaviors used by a batterer to establish and maintain control over his partner.

Coercion and threats: Making and/or carrying out threats to do something to hurt her. Threatening to leave her, commit suicide, or report her to welfare. Making her drop charges. Making her do illegal things.

Intimidation: Making her afraid by using looks, actions, and gestures. Smashing things. Destroying her property. Abusing pets. Displaying weapons.

Emotional abuse: Putting her down. Making her feel bad about herself. Calling her names. Making her think she’s crazy. Playing mind games. Humiliating her. Making her fell guilty, ashamed.

Male privilege: Treating her like a servant: making all the big decisions, acting like the “master of the castle,” being the one to define men’s and women’s roles.

Economic abuse: Preventing her from getting or keeping a job. Making her ask for money. Giving her an allowance. Taking her money. Not letting her know about or have access to family income.

Isolation: Controlling what she does, who she sees and talks to, what she reads, and where she goes. Limiting her outside involvement. Using jealousy to justify actions.

Using children: Making her feel guilty about the children. Using the children to relay messages. Using visitation to harass her. Threatening to take the children away.

Minimizing, denying, and blaming: Making light of the abuse and not taking her concerns about it seriously. Saying the abuse didn’t happen. Shifting responsibility for abusive behavior. Saying she caused it.

This handout from the Clothes Line project got a lot of discussion in class:

Dating Bill Of Rights (for men and women)

I have the right:

To ask for a date.
To refuse a date.
To suggest activities.
To refuse any activities, even if my date is excited about them.
To have my own feelings and be able to express them.
To say I think my friend’s information is wrong or her/his actions are unfair or inappropriate.
To tell someone not to interrupt me.
To have my limits and my values respected.
To tell my partner when I need affection.
To be heard.
To refuse to lend money.
To refuse affection.
To refuse sex with anyone just because they took me out on an expensive date.
To refuse sex anytime for any reason.
To have friends and space aside from my partner.

I have the responsibility:

To determine my limits and values.
To respect/not violate the limits of others.
To communicate clearly and honestly.
To ask for help when I need it.
To be considerate.
To check my actions/decisions to determine if they are good for me or bad for me.
To set high goals for myself in my dating relationships.

Women

Women, get yourself to these monologues.

Statistics show that you are only slightly behind men in thinking that women bring rape on to themselves. If you think this way, you are enabling a diseased violent crime to continue and you are hurting your fellow womankind.

Men

Men get yourselves and the women and daughters in your life to this. If you really want to protect them, realize that women need to “own” their bodies as a key to protecting them.

They need your support and encouragement in this.

Dr. Eichhorn says the monologues will help bring understanding to our community about what it means to be female.

Clement Auditorium can be found on this map. Click to make larger. Park on campus or at the University and College parking lot for free after 4:30 p.m.