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Topic: McCarthyism

Roxy: The Crucible “bewitches” audience

By Christine Anne Piesyk | November 7, 2008 | Print This Post

 

Black, white and shades of gray. Stark angular staging, flat wood beams piercing upward like stakes. The costuming, puritan black and white, faded browns and tans. The only curves, the only gentle shaping are those on the bed frame of a child in a trance.

It’s the perfect setting for this staging of The Crucible, Arthur Miller’s literary classic of God and Satan twisted around the infamous Salem Witch trials. John McDonald’s masterful hand works it magic in creating a taunt, suspenseful rendering of the mindset and fear that permeated an American colony in those early days of North American settlement.

As the story opens, we learn through conversations of alleged “occult” and “bewitching” activity in the forest, activity that young girls of the village have taken part in. Activities of witchcraft. The audience learns that these girls, including Abigail and Betty, were engaged in occultist activities — dancing naked, flying, casting spells — in the forest, lead by Tituba (Michelle Dykes), Parris’ slave from Barbados. «Read the rest of this article»

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