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Topic: Puccini
March 6, 2009 |
 Patricia Racette as Madame Butterfly. (Photo: Marty Sohl/Metropolitan Opera
The Met Live in HD continues to captivate a worldwide audience, bringing live, high definition productions of the world’s greatest opera to millions of worldwide viewers. The series continues with Puccini’s hauntingly beautiful love story, Madama Butterfly, which will be screened at several Nashville venues on Saturday, March 7 at 12 noon (CST).
Opry Mills Stadium 20 Plus IMAX, 570 Opry Mills Drive and Green Hills Stadium 16, 3815 Greenhills Village Drive, both in Nashville, will screen the live broadcast. In addition, for those who will miss the Saturday showing, Green Hills will screen encore showings on March 18 at 7 p.m. and March 18 at 1 p.m. Running time is three hours and 21 minutes, with two intermissions. «Read the rest of this article»
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October 16, 2008 |
The Met Live in HD will launch its 11-show 2008-09 season with a gala opening night featuring Renée Fleming in a trio of lyrical performances including Verdi’s La Traviata (Act II), Massenet’s Manon (Act III), and Richard Strauss’ Capriccio (Final Scene).
This initial performance of New York’s unparalleled Metropolitan Opera aired September 22. These high definition telecasts are not available in Clarksville; local opera fans must travel (and they do travel) to Nashville’s Green Hills or Opry Mills Cinemas to see these shows. These HD productions will be screened in some 800 venues around the world, with new countries in South America and Europe joining the Live in HD network this season.
 A dancer (Hsin-Ping Chang) in the opening scene from Act I of Puccini's Madama Butterfly. Photo: Ken Howard/Metropolitan Opera.
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February 8, 2008 |
The Met Live in HD continues its stunning season with the February 16 performance of Puccini’s Manon Lescaut at Regal Cinema/Green Hills Mall and Opry Mills, both in Nashville. Curtain is at noon central time (1 p.m. ET).

Manon Lescaut (Karita Mattila, above) is set in 18th century France; its heroine emerges from the innocence of girlhood to become the mistress of an old man. Her life spirals downward as she faces deportation and and becomes an imprisoned and despairing soul. The opera opens with a lush elegance of wealth and the highest social strata, descending by Act III to dungeons, doldrums and despair. «Read the rest of this article»
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